Christian Friedrich’s films and sculptures relate to heavy themes such as sexuality and violence, which are transformed into staged situations. Underlying this method is an investigation into the workings of perception, as a fiction that is created out of “incoming” images and the mental process of interpretation. At P/////AKT Friedrich will show a new film which takes these notions to a more methodological level: a severely structured composition that dissects the concept of moving image and analyses its representational character.
